Dr. Roger Scruton introduces Paul Heise’s quest to grasp the conceptual unity of Richard Wagner’s music-drama, The Ring of the Nibelung, at www.wagnerheim.com, where Mr. Heise has made it available free so that it can be read in its entirety. This is an effort to grasp Wagner’s tetralogy as a whole (libretto text, plot, and music) in the literature. Its central argument is that Wagner’s
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