In this first of a series of interviews with Norwegian director Stefan Herheim, Herheim tells about his collaboration with Daniele Gatti, Gatti's choices of tempo and phrasing, fast vs. slow Parsifals and staging Preludes. Herheim sees Preludes as the opening of the door to the world of the opera performed that evening.
It was not easy to convince the conductor (neither Gatti in Bayreuth nor
Stefan Herheim on Daniele Gatti, preludes and tempi
Subscribe to:
Post Comments (Atom)
0 comments:
Post a Comment