Much has been written about Daniele Gatti's slow tempi in last year's Bayreuth production of Parsifal. Maybe he felt that the chosen tempi last year were too extreme, for this year his "new" interpretation is a bit more aligned with the general expectations.From the first bar of Sunday's performance at Bayreuth, one could hear that Daniele Gatti had chosen a swifter approach, and that the
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